![]() After that, he came back at the top of the game. Wood almost took a year off and re-examined the way he was playing. The path taken by Weber reminded me of what did in 2002-2003. Instead, the author reviews the tools of the trade and opens up their potential. The book starts and finishes with the same warning: “One of the great things about oil painting is that there is no one way – no one hundred ways – things should be done.” You won’t find in this book miracle recipes dictating which brush to use to paint tree leaves and it’s a good thing. To dedicate a whole book to brushwork is quite a challenge and Weber pretty much held up to his bet (The last chapter of the book is more a collection of traditional painting demonstrations with a short gallery showcasing the artist’s paintings at the end). ![]() ![]() The subtitle of the book is “ How to render expressive form and texture with every stroke”. ![]()
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